Dilip Kumar Damor
Bhil Art
Dilip Kumar Damor is a Bhil tribal and contemporary artist from Village Damorwara (Asariwara), Tehsil Kherwara, in the Udaipur district of southern Rajasthan. Born into the Bhil community, one of India's oldest and largest Adivasi populations, his practice grows directly out of the visual culture he was raised within — its wall paintings, ritual imagery, folk narrative and ornamental line — and carries that inheritance forward into contemporary artistic language.
His work occupies the meeting point between tradition and the present. Where customary Bhil painting belongs to the walls of village homes and the rhythms of community life, Damor extends that vocabulary onto canvas, paper and contemporary surfaces, allowing tribal form to enter national museums, academies and international exhibitions on its own terms. Across watercolour, drawing, terracotta and large-scale wall painting, his practice preserves the identity of Bhil art while refusing to confine it to the category of the archival or the picturesque.
Alongside his studio practice, Damor is a Ph.D. Research Scholar in the Department of Visual Arts at Mohanlal Sukhadia University, Udaipur, where his research engages with tribal art traditions from within the community that produces them — a scholarly position that is still rare in Indian art history, and one that gives his work a double authority as both maker and researcher.
He serves as an Executive Committee Member of Jawahar Kala Kendra (JKK), Jaipur, Rajasthan's flagship multi-arts institution, contributing to the direction of state cultural programming.
Over more than a decade, Damor has participated in camps, workshops, festivals and exhibitions organised by the National Gallery of Modern Art (NGMA), the Ministry of Culture and the Ministry of Tribal Affairs, Government of India, the Anthropological Survey of India, the Rajasthan Lalit Kala Academy, West Zone Cultural Centre, and Tribal Research Institutes across Rajasthan, Jharkhand, Odisha and Himachal Pradesh. His work has been recognised at state, national and international level, including the Rajasthan State Artist Award and two Kala Mela Awards, and is held in major institutional collections including NGMA, New Delhi.